Arche (For Singing Bowls)
by Lowered
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Compact Disc (CD) + Digital AlbumHigh quality gatefold cardboard sleeve, artwork by Lowered
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Digital Album
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Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of No One Gets Hurt Ever, Hydromedusae, Nocturnality, To Be Beautiful, Fragment Series 2: Circle Bros / Karina ESP, Arche (For Singing Bowls), A.Y., Arche (For Gongs), and 4 more.
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RELEASE DETAILS:
The second in a series of minimal drone studies of acoustic instruments. This recording centres on singing bowls, together with cello and violin.
No artificial effects have been used.
The second in a series of minimal drone studies of acoustic instruments. This recording centres on singing bowls, together with cello and violin.
No artificial effects have been used.
credits
released January 10, 2018
LINER NOTES:
Sounds:
Singing bowls (four microphones)
Cello and violin (two microphones)
Singing bowls played by Chris Gowers, recorded by Colin Bradley, autumn 2015 at University Centre, Doncaster, UK.
Microphone placement and room set-up by Colin Bradley.
Cello and violin played and recorded by Chris Gowers, summer 2017, Cambridgeshire, UK.
No field recordings have been added. Some extraneous sounds that bled into the recording space, such as movement in the surrounding corridors and the birds overhead, remain on these recordings.
Arrangement completed during summer 2017 in Cambridgeshire, UK.
All sounds recorded acoustically, no artificial effects have been added.
Mastered by Fraser McGowan, late 2017.
Special thanks to Fraser McGowan and Colin Bradley.
This is part two of the Arche series of recordings.
LINER NOTES:
Sounds:
Singing bowls (four microphones)
Cello and violin (two microphones)
Singing bowls played by Chris Gowers, recorded by Colin Bradley, autumn 2015 at University Centre, Doncaster, UK.
Microphone placement and room set-up by Colin Bradley.
Cello and violin played and recorded by Chris Gowers, summer 2017, Cambridgeshire, UK.
No field recordings have been added. Some extraneous sounds that bled into the recording space, such as movement in the surrounding corridors and the birds overhead, remain on these recordings.
Arrangement completed during summer 2017 in Cambridgeshire, UK.
All sounds recorded acoustically, no artificial effects have been added.
Mastered by Fraser McGowan, late 2017.
Special thanks to Fraser McGowan and Colin Bradley.
This is part two of the Arche series of recordings.
license
all rights reserved
tags
discography
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Jun 2020